Įlsewhere in NYC, the New York Philharmonic is managing the challenge of being without a home venue this season during the renovation of David Geffen Hall. Read the post-opera discussion between Seth Colter Walls and Giovanni Russonello here. Last Thursday, Mike Telin rounded up several reviews of the Metropolitan Opera’s production of Terence Blanchard’s Fire Shut Up in My Bones, the first opera by a Black composer ever to be staged by the company.įollowing up on the review by chief classical critic Anthony Tommasini, The New York Times has since sent two more critics to see the production - one specializing in classical music, the other in jazz (Blanchard is a jazz trumpeter as well as a composer).
The evening pairs string quartets and visual art when four CIM ensembles play works by Beethoven, Brahms, and Haydn in “Music in the Galleries” at the Cleveland Museum of Art. And at 12:15, there’s a Dana School of Music Voice Area Recital at YSU’s Butler Institute of American Art.
The afternoon opens with a Trinity Brownbag “Organ Spectacular” at 12 pm, with Todd Wilson and Nicole Keller (above) unveiling Trinity Cathedral’s new Muller Pipe organ through music by Sowerby, Hampton, Widor, Lemare, Shearing, and Soler (attend in person or via stream).
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